M3GAN (2023)—Grief, Emotional Attachment and Moving On
Who’s reading this and has a fear of creepy dolls? What if I told you that this movie not only...
Michael Li
I am a film critic based in the United States of America and have been reviewing movies for 4 years. Within that time, I’ve covered over 300 films, from Hollywood blockbuster to indie films, and even foreign films based in East, Southeast Asia and parts of Europe.
Freaky (2020)—Fun, Campy and Bloody
Within the horror film genre, exists the slasher film subgenre. Films like 1974’s Texas Chainsaw Massacre and John Carpenter’s 1978...
Westermarck Effect (2022): Controversial Subject Matter, Decent Film
It’s no surprise that relationships are difficult to navigate. Finding people who you not only share the same values and...
Rise of the Guardians (2009)—The Power of Self Belief
What does it mean to be a guardian? Jack Frost would tell you. DreamWorks has often produced hit or miss...
Guillermo Del Toro’s Pinocchio (2022)—What it Means to be a Real Boy
The tale of Pinocchio dates all the way back to 1883 from Florence, Italy by a writer named Carlo Collodi....
The Holiday (2006)—A Perfect Holiday Escape!
Ah, romantic comedies. The perfect escape from your real world problems. Also one of the most predictable film genres, with...
Violent Night (2022)—Better Behave this Christmas!
Have you been naughty this Christmas? Better watch out, because Santa’s coming for you! In all seriousness, despite what some...
Silent Night, Deadly Night Part 2 (1987): Horror? More like Hilarity
It’s now the holiday season and Christmas songs now dominate the radio in a time known for being full of...
A Look Back at The Mummy (1999-2008) Franchise
In 1932, Universal distributed one of their biggest monster movie hits: The Mummy. Later during the 1980s, the idea to...
