Antrum: The Deadliest Film Ever Made (2019)—Horror at its Most Creative and Raw
It’s October, so you know what that means: bring out the scares! Horror as a film genre has to be...
Michael Li
I am a film critic based in the United States of America and have been reviewing movies for 4 years. Within that time, I’ve covered over 300 films, from Hollywood blockbuster to indie films, and even foreign films based in East, Southeast Asia and parts of Europe.
The Invitation (2022)—A Predictable Reinterpretation of a Classic Trope
The now infamous film Guess Who’s Coming to Dinner was originally made with the intention of breaking racism by showing...
The Adventures of Sharkboy and Lavagirl (2005)—A Horrifying Acid Trip of a Kid’s Film
Robert Rodriguez is certainly one of the most interesting directors I’ve come across. He started his career in Hollywood without...
Darkman (1990)—Sam Raimi’s First Superhero Movie
Before he became mainstream famous for his Spider-Man Trilogy, Sam Raimi was best known for directing low-budget horror films such...
Alien vs. Predator (2004)—Mind-Numbingly Dumb Action
Before Prey reinvigorated the Predator franchise, but after the first two good Alien movies, comes this crossover hinted in at...
Wes Craven’s New Nightmare (1994)—The Best Nightmare on Elm Street Film?
In 1984, Wes Craven released one of his most popular films to theaters, A Nightmare on Elm Street. The film...
Hellboy Animated (2006-2007)—Guillermo Del Toro’s Forgotten Hellboy Films
It’s no secret that I love Guillermo Del Toro’s Hellboy movies. His visually rich and distinct style of blending shades...
CHEST (2022)—A Claustrophobic Homage to The Blair Witch Project
Who doesn’t love a good found-footage film? Remote settings far from society, shaky cameras operated by amateur filmmakers, and exploring...
River Road (2022)—A Stylistic yet Realistic Look at Addiction
Remember those drug PSAs that were frequently shown in your middle school health class? Not only are they boring, but...
